Pottery

Pottery @ ENTS

Studio Guidelines

Welcome to ENTS Pottery Studio!

We’re thrilled to have you join our community of artists and pottery enthusiasts.

This guide is an intro to the space and intended to make things accessible for the member who is brand new to pottery and contains information and norms for people who have more pottery experience. ENTS is a makerspace and welcomes the contributions and expertise of all studio users. If there’s anything in the guide that you’d like to add to or revise, please connect the Pottery Committee.

Best practices in the space:

Clean up! Dust from clay, dried glaze, and sanded ceramics is dangerous and long term exposure to it can cause irreversible lung damage and a condition called silicosis. It’s crucial to clean up after you work. Please don’t dry sand in the space (if you have to sand a fired piece, do it wet).

Wipe down every surface you worked at with a wet sponge. Even if you think you didn’t leave any mess, there is almost always some clay crumbs or left over glaze. Use a spray bottle on the wedging table to help loosen leftover clay. If you use the wheel, you are required to mop around and under the wheel. When you empty your tray from throwing, put that water into the reclaim bucket. There’s important parts of clay (fine particles) in it that help bind the reclaim.

After glazing, wipe down the rim of the glaze jar so it's easier for the next person to open. If you aren’t able to open a glaze bottle, run the rim upside down under warm water and wait a minute or two for the glaze to soften.

Wash all the tools you used and set them to dry. Empty the drying rack and put away tools and containers left there. Rinse sponges and set them to dry.

Aim to leave ENTS cleaner than when you arrived

Notifying the Board of Directors if any supplies are running low, anything that is broken or no operating the way it should. Requests for glazes, tools and other supplies can be submitted to the Pottery Committee for consideration. The Pottery Committee will provide the Board of Directors with a request.

Equipment use and instructions

The wedging table

Glaze and work tables

Wheels

Extruder Watch: How To Use A Wall Mounted Clay Extruder

Slab roller Watch: How To Roll Out Clay In The Slab Roller | Pottery For Beginners | Troy Made It (ours is slightly different)

Sink

Heating/ drying utensils

Storage

Make sure you write your name and date on your clay box, storage bin and greenware work in progress shelve or individual pieces on the communal and overflow shelves.

Glazes and Clay

Communal glazes

ENTS has a glaze library available for members to use. These glazes are contributed by members and it’s asked that members who use the glaze library are regularly contributing glazes.

Personal glaze

Members purchase glaze from Plainsman and a variety of online vendors. When purchasing glaze, check what cone it can be fired to. Look for cone 5-6 glazes.

Glaze can be affected by the placement in the kiln, what clay body it’s on, and if it’s layered with any glazes. Making test tiles can be helpful to find glaze you like.

If you are interested in commercial glaze combinations, there are several facebook groups that may be helpful. AMACO Cone 5-6 Glaze Forum Mayco Mud Room Society Spectrum High Firing Glazes

If you are unsure about any of your glazes or combinations, please reach out to the pottery committee or in chat.

Reclaimed clay ENTS has reclaim for member use. There are two available options. Red/coffee reclaim and white/grey reclaim. Note that the white/grey reclaim will have some amount of speckles (manganese) in it. Place clay scraps, wheel trays, and trimming into either the dark or light clay buckets.

Members reclaim the clay and use a pugmill to process it. Pugged clay is available in blue bins near the reclaim buckets.

Personal clay Most members purchase their clay from Plainsman Clay. For a list of clays that can be fired to cone 6, visit https://plainsmanclays.com/store/index.php?type=10&xyz=

Only commercial cone 6 or higher can be used in the ENTS Pottery Studio.

Community tasks/Pottery Chores

Printable list- Pottery Chores

Kilns and firing

https://bigceramicstore.com/pages/info-ceramics-tips-tip48_load_fire_kilns_part1#:~:text=The %20bottom%20layer%20of%20shelving,allow%20for%20expansion%20during%20firing. Bisque is fired to cone 04 and glaze is fired to cone 6. Read here for more information on what cones are. If you purchase glaze for yourself, make sure it’s midfire to high fire.

ENTS has two kilns. The smaller one with the red panel we call Jack. The larger one with the blue panel we call Jill. Typically we fire bisque in the smaller kiln Jack and glaze in the larger kiln Jill.

Only ENTS certified kiln loaders are authorized to load and unload the kilns.

ENTS does not have a kiln tech. Trained & certified members volunteer their time to load and unload the kilns and do kiln maintenance. Please contact the Pottery Committee to learn more on how to get certified.

Use cookies (aka pucks/patties) Cookies are flat pieces of fired clay with kiln wash applied that serves to protect the kiln shelves from glaze drips and protect your piece. There’s a container of them near the kiln loading carts. When glaze touches or drips on the shelves it fuses with them. Members volunteer to manually grind that glaze off and reapply kiln wash to the shelves. It’s a messy and loud job, so please do everything you can to protect the kiln shelves and other people's pieces.

Glaze Recipes

Glaze Recipes

Randy's Clear glaze Recipe

You need about 10kg to fill a 5 gallon bucket. I would suggest you try a test first. I’ve been testing a similar clear base from “mastering cone 6 glazes” ;

Materials                                                   Amt                                            
PPS Fusion Frit F-12                                  25.00
PPS Feldspar Custer Potash                      22.00
PPS EPK                                                    18.00
PPS Silica 295 mesh                                  26.00
PPS Talc Silverline 303                                5.00
PPS Whiting (Calcium Carbonate)              4.00 
Total:                                                         100.00
I’ve modified it to change from frit 3134 to f-12 as 3134 may be very difficult to get in the future.

For every 100gm of dry materials start with 85 gm of water.

Date April 1 2024 -  Will be setting up a small batch first as Randy suggests.

Glaze Recipes

AB Slip Blue Rutile Plus Cobalt Carb

Recipe sourced from https://glazy.org/recipes/121839

Target SG is 1.45, this is a dipping glaze at that.  It does tend to settle quickly, so mix well before you dip.  It needs a fairly thick application, it can crawl a little or turn brown if it's not applied thickly enough.

This is a Cone 6 glaze

PXL_20230416_164214139.jpg

Recipe

Glaze Recipes

Red Oilspot

Sourced from https://glazy.org/recipes/36081

A cone 6 oil spot with red and black mottling

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The inside is straight red oilspot.  The running blue-to white comes from layering a band of Spectrum Running Hot Chowder over it.  It sure is running, but that's probably my favorite combo!

 

Recipe

Glaze Recipes

Honey Wheat

Sourced from 

https://glazy.org/recipes/36974

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Recipe

Glaze Recipes

G3806F - Fluid melt clear

Taken from https://insight-live.com/insight/share.php?z=gbcM8HXmX2 via digital fire

I like this clear over underglazes, as it is a cone 6 clear that is designed to stay fluid at firing temperatures for a while to let out any offgasing bubbles from the underglaze.  Microbubbles from offgasing make underglaze designs appear cloudy or gray, this keeps the colours a bit brighter.  That link has a variety of different recipe versions, most of which include additives for color I don't use in the clear version for dipping.

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Code #

G3806F

  Materials Amt
  Silica 23.500
  Wollastonite 7.000
  Kaolin 10.000
  Strontium Carbonate 5.000
  Ferro Frit 3110 22.000
  Ferro Frit 3249 21.000
  Zinc Oxide 3.000
  Spodumene 6.000
  Bentonite 2.500

Processes

Processes

Running a test fire

This page is a work in progress.

After some kiln repairs it may be required to run a test fire. Typically this will happen after a relay or element replacement to ensure the kiln is operating normally.

  1. Empty the kiln, if not already done.
  2. Place a shelf at each zone with pyrometric cones to record temperature.
    • Each set of cones should consist of 1 below target temperature, 1 at target, and 1 above target.
    • No other pieces should be fired.
  3. Run the kiln's program normally.
  4. Record the runtime and cone behaviour.
  5. Compare kiln performance against Expected performance.
  6. Make repairs and Troubleshoot as required.

 

 

Processes

Mopping

TL;DR

  1. Add hot or warm water and floor cleaner to mop bucket
  2. Mop the floors
  3. Ring mop and squeeze out excess water
  4. Drain mop bucket water into the shop sink (Not the bathroom. Not the toilet)
  5. Rinse bucket and drain water again
  6. Clean out the sink sieve and put back in the sink
  7. Admire the clean and dustless floor

Extended version

The water should be emptied daily, or more than once a day if mopping up a significant amount of clay or if the water is cloudy.

Using dirty mop water doesn’t remove dust from the space, but just moves it around.

Fill the mop bucket with water using the provided hose (on the wall near the washroom). Add in a splash of floor cleaner to help clean the floors.

After mopping, rinse and wring out the mop and set it in the mop basket on top of the pail.

Water can be dumped into the shop sink - NOT the toilet or any other sink. Ensure the sieve is in the sink so the pump is not pulling in debris

After dumping the mop water, remove debris from the sieve and throw it away. The water may have chemicals in it, so using gloves is recommended.

Rinse the mop bucket and leave the mop in the basket to air out

Leave the bucket empty. The next person to mop will refill with warm/hot water and floor cleaner

Note: mopping is a physically demanding job for some members. If you are unable to empty the bucket after mopping, that’s okay. We’re a team and we all contribute where we can, not everyone has to be a champion mopper.

Processes

Making cookies

Kiln cookies are used to prevent pieces from damaging the shelves, especially in a glaze fire.

Learn more about how to make those cookies here:

Part 1: https://www.youtube.com/watch?v=jIKIG26dlLc 

Part 2: https://www.youtube.com/watch?v=6v3HJnTz-Rw 

Kilns

Kilns

Troubleshooting

Disclaimer

Do not perform troubleshooting without approval from the Board.

Manuals

Bartlett V6-CF Manual.pdf (Jill - Blue kiln)

Common symptoms for troubleshooting

If you think something is going wrong in the kiln, check the relays first!

Relays

  1. Disconnect power from the kiln
  2. Note the wiring (take photos)
  3. Remove the relays individually, testing them on the bench power supply
    1. 3 terminals will receive power
    2. Connectivity when power is supplied should be present through the remaining sets of terminals
    3. Verify the relay pinouts to be sure on which terminals are used
  4. Ensure all spade connections are tightly coupled. It should require fairly significant effort to disconnect the relays. Tighten with pliers as needed.

After replacing needed relays:

  1. Run a test fire
  2. At approximately 100 degrees Celsius, do a paper/heat test on each element to confirm operation

Kiln elements

  1. Verify that the thermocouples look okay, not damaged, and no pieces or shelves are too close (this could cause a false positive).
  2. Disconnect power from the kiln
  3. Open the front control panel
  4. Note the wiring (take photos)
  5. Remove the screw terminal connectors which attach to the elements
  6. Using a multimeter, record the resistance of all 6 elements
  7. If any of the 6 elements are more than 10% out of spec, replace all elements (values are recorded below)

Replacing elements:

  1. TODO

After replacing the elements:

  1. Run a test fire
  2. At approximately 100 degrees Celsius, do a paper/heat test on each element to confirm operation
Jill (blue coneart) expected resistance values
Element
Nominal
In spec range
1 (top) 14.2 Ohms 12.78 - 15.62 Ohms
2 17.9 Ohms 16.11 - 19.69 Ohms
3 17.9 Ohms 16.11 - 19.69 Ohms
4 17.9 Ohms 16.11 - 19.69 Ohms
5 17.9 Ohms 16.11 - 19.69 Ohms
6 (bottom) 14.2 Ohms 12.78 - 15.62 Ohms
Kilns

Expected performance

This page is a work in progress.

Each of the kilns has an "expected" runtime and temperature behaviour. These characteristics are recorded below. If the real world values start to drift from these expected values, perform Troubleshooting.

Jill (blue coneart)

TODO

Jack (red skutt)

TODO